Sorrentino took so many elements from Fellini (well he took so many things from the entire Italian cinema). 台词写得很扎实的但只对第一世界问题患者有吸引力Commentary track里提到电影中的existentialist作家现实生活中是个真实的法国作家在拍完爱上炸没了后他就留在了罗马一辈子
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not as good as the former two. except for the first episode, the others look like nice dregs of nice wine.